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AUSCHWITZ:
Technique
and Operation
of
the Gas Chambers © | |
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Contents |
Page 262 |
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Document 98
[PMO neg. no. 810]
Roof space of one of the
Blocks in the main camp serving as a store for sewing machines
brought to Auschwitz by victims who thought they would be able to go
on practicing their trade there. Faurisson presented this
photograph, taken in 1945, as proof of the existence of a tailoring
workshop in the camp. Unfortunately for him, some of the machines
are damaged and out of order and their arrangement is clearly a
crowding together for storage, not the layout of a
workshop. |
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Document 99
[PMO neg. no. 21334/112]
Probably in the
second quarter of 1945, the Examining Judge, Jan Sehn, showing
officials some of the objects found in the “Bauhof” and explaining
their function in the Krematorien. The clothing of two of the men
(on the extreme left and right of the group) is still that of the
German style of the war years, boots and black leather coat. In the
foreground on the right are the metal ducts from the air extraction
systems of the undressing rooms (Leichenkeller 2) of Krematorien II
and III |
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Document 100
[PMO neg/ no. 9452]
Northeast/southwest view of
the belvedere with its access steps, installed on the floor of the
western part of the roofspace of Krematorium II. In the background
on the right is the undressing room; center left the end of the gas
chamber. The ruins were not then completely cleared of vegetation as
they are today. |
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Document 101
[PMO neg. no. 8303]
The commemorative plaque
erected in the north yard of Krematorium II, between the waste
incineration room and the northern entrance to the ground floor. In
the background are the wooden steps leading to the
belvedere. |
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Note: The descriptions of
Documents 102 and 103 appearing on page 262 of the original book
have been transferred, for ease of reading, to page 263 of this
electronic version. The original layout can be viewed by clicking on
thumbnail image at the top of this
page. | |
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AUSCHWITZ: Technique
and operation of the gas chambers Jean-Claude Pressac © 1989, The
Beate Klarsfeld Foundation |
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